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Silence

Jan 16, 2020 Deep Dives The question that was asked of the great actors and actresses of silent film with the coming of sound was simple: Could they speak? Could they adapt the styles they had developed to the demands of dialogue and...

Dec 20, 2019 The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...

Dec 12, 2019 Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...

Dec 3, 2019 As the title card comes up, the movie has already begun, with a frontal view of a dilapidated plantation house, its ivied columns sporadically lit up by a raging storm. Spectators at the time of the film’s release who were...

Nov 12, 2019 The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...

November Books

The Daily

Nov 11, 2019 This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.

Oct 16, 2019 Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...

Oct 4, 2019 When I met Ann Carter in 2007 during the filming of a documentary about Hollywood producer Val Lewton, she was seventy years old, more than six decades removed from her starring role in Lewton’s The Curse of the Cat People....

Sep 30, 2019 At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...

Sep 25, 2019 Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.

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