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Revelation

Mar 30, 2015 The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.

Mar 25, 2015 Errol Morris’s revolutionary film boldly investigated the truth of a murder case while reimagining documentary cinema aesthetics.

Feb 23, 2015 We love talking to Mexican horror auteur Guillermo del Toro (Cronos) about movies; he’s among the most knowledgeable, passionate, and articulate cinephiles we know. We were particularly intrigued to hear his take on Martin Rosen’s 1978 animated film Watership Down,...

Jan 26, 2015 Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.

Jan 13, 2015 Rainer Werner Fassbinder’s characters play an endlessly layered game of dress-up in this tale of sadomasochistic love.

Dec 18, 2014 Becoming Dorothy Michaels in Tootsie was as much a revelation for Dustin Hoffman as for his character, Michael Dorsey. In this short excerpt from a much longer interview on our new release of Sydney Pollack’s great comedy, the Oscar winner...

Oct 21, 2014 Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.

Oct 16, 2014 This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Jul 25, 2014 In April, the great Iranian director Abbas Kiarostami made a special onstage appearance at Indiana University Bloomington to discuss both his career and his latest film, Like Someone in Love, available from the Criterion Collection. We were there to record...

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