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Parerga

Nov 28, 2010 “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...

Oct 26, 2010 For several decades now, William Faulkner’s Light in August (1932) and Carl Dreyer’s Gertrud (1964) have been major touchstones for me—not only separately but also in some mysterious relation to each other. I even managed to find a way of discussing these...

Aug 19, 2009 I Am Waiting: Port of Call The year: 1957. The city: Yokohama, not far from the piers. The sound of the tide softly lapping against stones in the darkness, cubes of black ice in a tumbler of foam. Night. Rain....

Apr 25, 2005 Andrzej Wajda’s first feature film marks the beginning of the Polish School, the paradigm of Polish cinema that arose from the political and cultural thaw of the mid-1950s.

May 26, 2003 Despite its modest claims, Volker Schlöndorff’s twelfth film—about the near-civil war that raged in the Baltic provinces in the early twenties—is a jewel among his creations.

Rebecca

Essays

Jul 1, 1990 Molded by Alfred Hitchcock’s direction and David O. Selznick’s editing, the film plays upon the conventions of the Gothic melodrama without ever losing its characters’ humanity.

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