The Criterion Collection
Jan 27, 2017 — In a series of tautly constructed marriage dramas, filmmaker Asghar Farhadi has proven himself a remarkable observer of the social, moral, and personal dimensions that shape contemporary Iranian society.
On the Channel
Jan 23, 2017 — Over on the Criterion Channel, we’re premiering the second installment of Adventures in Moviegoing, an original series in which we invite filmmakers, actors, musicians, and other artists to talk about the role that movies have played in their lives. Following...
Jan 20, 2017 — Did You See This? Over at the BFI, John Berra has published a guide for getting to know some of Chinese-language cinema’s most revered filmmakers, including Edward Yang, Hou Hsiao-hsien, and Wong Kar-wai. For its upcoming edition in Hong Kong...
Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.
Sep 12, 2016 — Before kicking off a week run of To Sleep with Anger at the Film Society of Lincoln Center, the influential director joined us for a conversation about how his encounters with international cinema inspired him as a filmmaker of color.
May 17, 2016 — Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.
Nov 17, 2015 — Satyajit Ray began his filmmaking career by offering a vision of the young Apu, the character he would go on to follow throughout the three films of his stunning breakthrough epic.
Jul 22, 2014 — Jeanne Moreau’s flighty, enigmatic Jackie in Jacques Demy’s poetic drama is in the great tradition of dreamy Demy heroines.
Nov 11, 2013 — A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.
Aug 19, 2013 — This moving drama about gender, race, and class in 1960s Kolkata is a pioneering work from Satyajit Ray.