The Criterion Collection
Sep 26, 2013 — Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.
Aug 5, 2013 — For those of us who rank The Earrings of Madame de . . . at the top of our list of all-time favorite films, the mystery is why our passion isn’t universally shared. Every year, thanks to committed revival houses,...
Dec 6, 2011 — The Lady Vanishes (1938) is the film that best exemplifies Alfred Htchcock’s often-asserted desire to offer audiences not a slice of life but a slice of cake. Even Claude Chabrol and Eric Rohmer, in their pioneering study of Hitchcock, for...
Oct 12, 2010 — One Every movie is two stories: the one it tells and the one that remains to be told about it by those involved in its creation. These two narratives converge in a certain current of the cinema of the past...
Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...
Essays
Feb 16, 2009 — Through the story of thunderously, wondrously henpecked men and a determined woman’s romantic zeal, David Lean’s comedy depicts private and social revolution.
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Essays
Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.
Nov 7, 2005 — Often appearing on lists of the ten greatest films of all time, called one of the most beautiful films ever made, or the most masterful work of Japanese cinema, Ugetsu comes to us awash in superlatives. No less acclaimed has...
Essays
Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.