The Criterion Collection
Essays
Jun 4, 2001 — Mario Monicelli’s caper comedy is that genuine rarity in popular culture: a satire that not only helped kill off one movie genre, but started a whole new subgenre in the process.
Essays
Oct 21, 1991 — Written under the German occupation of France, and produced with the sanction of occupation censors, Marcel Carné’s masterpiece began shooting on August 17, 1943, at the Victorine Studios in Nice.
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
Jun 9, 2026 — Over the course of four decades, the great Mauritanian French filmmaker Med Hondo created a stylistically diverse, politically trenchant body of work that frequently tapped into his own Pan-African roots and explored the existential and material stresses of Black people...
The Daily
May 19, 2026 — New films by Ryusuke Hamaguchi and James Gray are riding high on the Cannes critics’ grids.
The Daily
Sep 24, 2025 — She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.
The Daily
Jul 15, 2025 — Much of the program upends assumptions about the postwar years as a period of relative calm and conformity.
The Daily
Aug 20, 2024 — Delon brought to the films of Melville, Visconti, Deray, and Losey one of the most beautiful faces in all of cinema.
The Daily
Aug 31, 2023 — With the WGA and SAG-AFTRA strikes on, the spotlight this fall will be on the directors.