The Criterion Collection
The Daily
May 19, 2021 — The actor, writer, and talk show regular will be remembered as an “uncommonly intense and all-around uncommon performer.”
Mar 26, 2021 — In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.
Mar 16, 2021 — In Céline and Julie Go Boating (1974), play is a life force, pleasure a form of liberation. Drawing inspiration from cartoons, Hollywood musicals, and the vaudeville shenanigans of early screen comedy in the vein of Buster Keaton and the Marx...
Features
Mar 8, 2021 — “I see the beauty now,” my mother told me when I asked her what she thought of Cicely Tyson’s face, about a week after the pathbreaking actor died in January at ninety-six. “But I didn’t then.” By “then,” she meant...
Essays
Feb 23, 2021 — Released in 1985, during the exuberant flowering of films by women brought on by second-wave feminism, Joyce Chopra’s Smooth Talk now feels less of those years than like a harbinger of the #MeToo movement, an early challenge to a cultural...
Feb 3, 2021 — The lauded star of film, television, and theater was “determined to do all I could to alter the narrative about Black people.”
The Daily
Dec 3, 2020 — One of cinema’s preeminent directors is currently at work on two new projects.
Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...
The Daily
Sep 8, 2020 — Always a lively presence on-screen, Menzel also directed Closely Watched Trains and I Served the King of England.
Aug 31, 2020 — “Movies show us ourselves as we had not yet learned to recognize us—something in the nature of daily being or happening that quickly gets folded over into ancient history like yesterday’s newspaper, but in so doing a new face has...