The Criterion Collection
Essays
Aug 25, 2026 — The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.
Aug 11, 2026 — Set in 1930s French West Africa, Bertrand Tavernier’s hard-to-classify adaptation of the Jim Thompson novel Pop. 1280 offers an apocalyptic vision of a society in which institutions have abdicated their moral authority.
The Daily
May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.
The Daily
Apr 9, 2026 — Film at Lincoln Center and the Museum of Modern Art introduce New Yorkers to some of the most exciting new voices in cinema.
On the Channel
Nov 18, 2025 — This December, make yourself at home in some of cinema’s most memorable hotels, celebrate Julianne Moore’s bracingly human performances, or explore the trailblazing debuts of Black women filmmakers.
Aug 25, 2025 — In such provocative delights as Jamón jamón and Golden Balls, one of Spain’s most original directors celebrates the sensual pleasures of food and sex while capturing the rapid changes his country experienced at the turn of the millennium.
The Daily
Mar 13, 2025 — Top prizes in the narrative and documentary feature competitions go to Amy Wang and Benjamin Flaherty.
The Daily
Mar 4, 2025 — The Melbourne Cinémathèque presents selections from the four phases of a profoundly influential oeuvre.
The Daily
Jan 7, 2025 — Retrospectives showcasing new restorations are on in Chicago and Los Angeles, and another is heading to New York.
Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.