Jeremy

Jul 12, 2011 — Heeeere’s Johnny, the desperate, destructive prophet-of-the-apocalypse protagonist of Mike Leigh’s brilliantly corrosive Naked (1993), a sexually explicit update to a long line of British films, plays, and novels about angry young men. Johnny might be mistaken for a mere misanthrope,...

Apr 18, 2011 — An Eagle for an Emperor, a Gyrfalcon for a King;   a Peregrine for a Prince, a Saker for a Knight, a Merlin for a Lady;   a Goshawk for a Yeoman, a Sparrowhawk for a Priest,   a Musket...

Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.

Nov 28, 2010 — “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...

Sep 28, 2010 — “The past, again and again.” —Major Jack Celliers, Merry Christmas Mr. Lawrence Nagisa Oshima’s filmmaking career began with the risen sun—or rather, with the promise of a sun soon to rise: Tomorrow’s Sun (1959), a dizzyingly designed faux “coming attraction”...

Dec 14, 2009 — Almost sixty years ago, George Bernard Shaw died at age ninety-four, leaving behind an unfinished play. Tonight, in New York, that final work from the Pygmalion writer, Why She Would Not, will be presented in a reading by the Gingold...

Oct 20, 2009 — It’s been only four years since the last film in his Death Trilogy, but Gus Van Sant is already journeying back to the land of the dead. Variety reports that the director will be teaming up with Bret Easton Ellis...

Apr 27, 2009 — Stephen Frears’s gangland drama subverts its genre by removing its villains to an alternate mythic universe, that of the western, as its protagonists traverse the roads that snake through Spain’s arid hills and plains.

Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.

Feb 25, 2008 — We’re getting a huge amount of mail about our edition of The Last Emperor, specifically about the aspect ratio, which is 2:1. Some people seem to believe that we’ve lost our minds, forsaken our mission, and taken it upon ourselves...