The Criterion Collection
Oct 22, 2013 — This delicately creepy Hollywood horror movie lives up to its reputation as a classic of the genre.
Sep 9, 2013 — As outré as it is, the most subversive thing about this classic farce is its take on what’s normal.
Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.
Apr 13, 2012 — Performances Fists in the Pocket, a gasp-inducing, mouth-frothing, black-comic attack on bourgeois values, is remembered first and foremost as a shocking debut from director Marco Bellocchio. But it gave its star, Lou Castel, a memorable entrance of his own: he...
Feb 22, 2012 — When it comes to depicting actual people’s jobs, the truism goes, Hollywood gets everything wrong with stunning regularity. The rare exception is Otto Preminger’s Anatomy of a Murder (1959), widely considered among the finest trial films ever made, and maybe...
Dec 6, 2011 — One of the delights of Alfred Hitchcock’s comic thriller is the wit with which it pins down a distinctly British insular mindset.
Essays
Aug 16, 2011 — “It is my best film. I always loved it. I always believed in it. It is real cinema, done for cinema—like art for art.” That was Roman Polanski’s view of Cul-de-sac in 1970, four years after its release and just...
At Criterion, cinema is king, but the play is also the thing. Here’s a selection of films that adapt great works of theater for the screen.