The Criterion Collection
The Daily
Jan 4, 2018 — Even as we look ahead to the films we’re hoping to see this year, there’s still some 2017 sorting to do. And let’s begin with Farran Smith Nehme’s refreshing list of some of the older films she caught last year....
Essays
Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...
In Theaters
Jul 5, 2018 — As part of a date-night series, the Robinson Film Center in Shreveport screens the greatest baseball movie of all time on the same day our release hits stores.
Jun 13, 2024 — Baker has selected seventeen films to screen in New York before her first feature opens next week.
Jan 26, 2023 — This great director from the golden age of Mexican cinema drew upon a wide range of styles to explore the conflict between tradition and modernity.
Jan 29, 2019 — In the Heat of the Night (1967) opens with an air of mystery, of outsiderness winding its way into the small town of Sparta, Mississippi, a place that right away seems heavy with a sense of what belongs and what...
The Daily
Jan 10, 2018 — Before looking back on the highlights of his 2017 in an entry for Filmmaker, Vadim Rizov has a note or two on attending the recent New York Film Critics Circle awards dinner: The very concept of a critics’ award ceremony...
May 8, 2011 — Performances In her performances, actress Shelley Duvall often seems as though she’s walking through a fog. Her gawky-elegant string-bean body moving as though on a conveyer belt, her perpetually goggling saucer eyes staring out at the world yet seeming to...
Dec 4, 2006 — I had said that I was going to write about growing up with a projector in my attic, and Peter’s writing about home last week brought back some memories. Movies were cool. In the late sixties, my father would bring...
Essays
Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.