The Criterion Collection
Features
Jan 27, 2014 — The author’s encounters with the great Indian filmmaker.
Jan 13, 2014 — With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.
Oct 25, 2013 — "I“m not acting,” stage star Myrtle Gordon (Gena Rowlands) tells her bemused director after a violent episode with her ghostly muse in Opening Night. That’s a loaded claim to be making in a movie that so conclusively smudges the line...
Oct 21, 2013 — As a film star, John Cassavetes embodied the kinetic, wild-eyed, insanely grinning villain. He seemed born to the role, with his volatile energy and dynamic outbursts, luminous yet curiously deadened eyes, wide-gaping mouth (David Thomson has likened it to a...
Essays
Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.
Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.
May 14, 2013 — Delmer Daves’s classic western is psychologically probing, magnificently shot, and fascinatingly ambiguous.
Features
Feb 22, 2013 — The writer shares his memories of his friendship with the great writer and Japanese cinema expert, who passed away this week.
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Interviews
Aug 28, 2012 — The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.