The Criterion Collection
Aug 20, 2013 — Satyajit Ray’s delicate masterpiece about forbidden love in the late nineteenth century is lovingly adapted from a novella by the great Rabindranath Tagore.
Apr 9, 2013 — David Cronenberg and William S. Burroughs: it was a meeting of the mutant minds years in the making.
Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.
Essays
Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...
Essays
May 10, 2011 — Something Wild asks the eternal question “What makes us happy?” But the answer it proposes is far from easily arrived at. It’s a boy meets girl story, certainly, but one that goes much deeper with that narrative than most films...
Features
Apr 28, 2011 — When Criterion producer Susan Arosteguy was at the South by Southwest film festival in Austin, Texas, last month, she met local cooking teacher and cinephile Ron Deutsch in line for a screening. They got to chatting, and Ron told Susan...
May 20, 2009 — Early in Shohei Imamura’s Intentions of Murder, the librarian Riichi distractedly peruses Herbert Marcuse’s Eros and Civilization while conversing with his clinging mistress, Yoshiko. One can read the reference in many ways: as a glancing jest, as an (uncharacteristic) Imamurian...
Apr 30, 2009 — The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain...
Aug 13, 2007 — Cría cuervos . . . , Carlos Saura's political and psychological masterpiece, was shot in the summer of 1975, as Spanish dictator Francisco Franco lay dying, and premiered in Madrid's Conde Duque Theatre, on January 26, 1976, forty years after...
Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.