The Criterion Collection
The Daily
May 3, 2022 — A Melbourne Cinémathèque series of double bills spotlights Lang’s penchant for drilling into the darkest recesses of human nature.
Features
Apr 21, 2022 — In 1948, leftist filmmaker Leo Hurwitz directed a documentary whose title summed up the uncertainty of its moment: for America’s antifascists, the end of the Second World War was a Strange Victory indeed. Using newsreels from the war’s front lines,...
The Daily
Apr 21, 2022 — Critics recommend favorites from this year’s selection of twenty-six features and eleven shorts.
The Daily
Apr 1, 2022 — This week: A new Cinema Scope, Robert Siodmak, Theodore Witcher, reenactment in nonfiction, and the science of Dune.
The Daily
Mar 31, 2022 — This year’s edition features a spotlight on Alice Diop.
The Daily
Mar 15, 2022 — A captivatingly unclassifiable leading man in the 1980s, Hurt often returned to his first passion—the theater.
The Daily
Mar 3, 2022 — Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.
Feb 28, 2022 — Ulysses Jenkins is an artist of extremes, an innovator who has probed the limits of a wide range of aesthetic modes for over five decades. Though he’s best known for his video art, a medium whose conventions he has been...
The Daily
Feb 9, 2022 — Restorations and revivals of works by two unjustly overlooked filmmakers are now underway.
Feb 9, 2022 — The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...