Can-Can

May 12, 2026 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...

May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

May 11, 2026 — We begin with the Marilyn Monroe centenary and move on to thrillers and collections of poetry and critical essays.

May 8, 2026 — Jean Rouch said they created “a new cinematographic language,” and a retrospective touring North America begins in Toronto.

May 4, 2026 — L’Alliance New York presents a series of films by a director ripe for discovery in the U.S.

Apr 30, 2026 — The festival presents new work by Isabel Sandoval, Kogonada, Ildikó Enyedi, and more.

Apr 29, 2026 — Film at Lincoln Center’s thirteen-film series will feature an evening with the man himself.

Apr 29, 2026 — Deep Dives You look at Rainer Werner Fassbinder’s The Third Generation (1979), and you see the snarky, risky spirit of the New Wave movements that emerged around the world in the 1960s and ’70s in full, defiant bloom. But what...

Apr 28, 2026 — Opening with Jane Fonda’s tribute to Robert Redford, this year’s edition features several world premieres of new restorations.

Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...