Boom!

Sep 3, 2017 — “With writer-director James Toback, you never know quite what you’re going to get, quality-wise,” writes Glenn Kenny at RogerEbert.com. “What you do know you’re going to get is something very indicative of the personality of James Toback—defiant, searching, self-indulgent, absurdist,...

Aug 27, 2017 — Tobe Hooper, whose 1974 shocker The Texas Chain Saw Massacre “became one of the most influential horror films of all time,” as Pat Saperstein puts it in Variety, has passed away at the age of seventy-four. Saperstein: “Shot for less...

Jul 6, 2017 — We open today’s round, considerably briefer than yesterday’s, with Ridley Scott double feature—of sorts. Movie City News alerts us to an article by Scott himself that originally appeared in the August 1979 issue of American Cinematographer: “I felt that Alien...

Jun 30, 2017 — Jonathan Rosenbaum’s posted a revised version of his 1999 essay on the “Origins and Legacy of the Conspiracy Thriller”: “It’s a tradition that harks back to Louis Feuillade’s silent serial of 1915-1916, Les vampires, about a gang of ingenious working-class...

Apr 17, 2017 — A group of Cuba’s most seasoned musicians became an international sensation upon the release of this acclaimed documentary portrait.

Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.

Oct 26, 2016 — The tropes of light comedy give way to a Kafkaesque nightmare in this incendiary critique of moral rot in Franco-era Spain.

Jun 1, 2016 — With Wrong Move, Wim Wenders made “a movie about the impossibility of moviemaking, a road movie about the uselessness of travel, a literary film about the impossibility of communication.”

Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.

Jan 14, 2015 — The writer remembers two New York film figures.