The Criterion Collection
Jul 21, 2020 — Consider this an afterword to Taste of Cherry (1997), the feature that brought its director, Abbas Kiarostami, to full international prominence, after it became the first Iranian movie to win the Palme d’Or at the Cannes Film Festival (where it...
Essays
Jul 15, 2020 — When I first saw The Lady Eve (1941), in my teens, I was certain I had never seen a comedy more perfectly constructed, a judgment that the subsequent decades have not revised. I had also seen none more acutely witty,...
The Daily
Jul 3, 2020 — A new issue of Cinema Scope, a State of Cinema address from Olivier Assayas, and the Ultimate Summer Movie Showdown are among this week’s highlights.
The Daily
Jul 1, 2020 — The actor, writer, and director was one of the most beloved comedians of his generation.
Jun 9, 2020 — A couple walk down a cacophonous street in New York. They’re bundled in coats—wrapped up in their own worlds. She is incandescent with joy, talking about her cadre of close friends and their regular meetings. He wears a resigned face,...
The Daily
Jun 8, 2020 — A patient and observant analyst of films and their stars, the playwright and critic has passed away. He was ninety.
Features
May 27, 2020 — Walking, like breathing, is something we do without thinking, an activity so commonplace that pedestrian has as its second meaning uninspired, ordinary, dull. Movies, however, reveal this action as more than just the original mode of getting from here to...
Features
May 22, 2020 — Walking, like breathing, is something we do without thinking, an activity so common that pedestrian has as its second meaning uninspired, ordinary, dull. But when this action appears in a movie, it is revealed as more than the original mode...
May 18, 2020 — It’s hard to imagine Hollywood without Frances Marion. The story of the screenwriter’s career is entwined with the story of Hollywood itself, from its pioneer days to the Golden Age. Part of Marion’s skill as a writer was how her...