The Criterion Collection
Essays
Nov 12, 2024 — Filled with expressionistic shadows and pungent details of life in the criminal underworld, this seminal tale of money and violence was among director Howard Hawks’s favorite of his own films.
The Daily
Nov 8, 2024 — This week offers revivals of overlooked films by Antonioni and Alan Rudolph and conversations with Garrett Bradley and Paulo Branco.
The Daily
Nov 5, 2024 — As a composer, arranger, producer, and perhaps above all, connector, Jones was one of the most vital artists of the past seventy years.
The Daily
Sep 25, 2024 — A dozen newly restored films from the 1970s, ’80s, and ’90s will screen in this year’s program.
On the Channel
Sep 17, 2024 — With grisly special-effects showcases, some of cinema’s most memorable witches, Japanese horror classics, and spine-tingling Stephen King adaptations all on deck, there’s plenty to choose from for your spooky-season viewing.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
The Daily
Aug 23, 2024 — We’re revisiting key films from Francis Ford Coppola, Martha Coolidge, John M. Stahl, Asghar Farhadi, and Jacques Rozier.
Interviews
Jul 18, 2024 — A pioneer of the 1980s downtown New York arts scene, the director of Sleepwalk talks about navigating her creative life in the city and the inspiration she has taken from mythology, fairy tales, and cinéma fantastique.
Jun 27, 2024 — At their best, movies that showcase a sizable collective of virtuosic actors can give you the feeling of a rich ecosystem being brought to life.
The Daily
Jun 18, 2024 — We’re diving deeper this month into a new Elaine May biography and memoirs from Susan Seidelman and Griffin Dunne.