Youth

Sep 29, 2014 — The Toronto-based songwriter-producer Austin Garrick is one-half (alongside vocalist Bronwyn Griffin) of the electronic pop duo Electric Youth, whose full-length debut album, Innerworld, was released in September 2014 by Secretly Canadian/Last Gang Records. Garrick’s music is known to fans of...

Jun 12, 2012 — Miguel Arteta has directed the films Star Maps, Chuck & Buck, The Good Girl, Youth in Revolt, and Cedar Rapids, along with episodes of the television series American Horror Story, Nurse Jackie, Six Feet Under, and Ugly Betty. His list...

Jun 27, 2005 — Ko Nakahira’s Nikkatsu Studio youth flick helped transform postwar Japanese cinema.

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Dec 11, 1989 — Previous rock-and-roll movies had been little more than showcases for the latest music, aimed at exploiting the youth market, cheaply made and melodramatic—then along came one of the most finely crafted films ever made about rock-and-roll.

The actor praises Amy Heckerling’s gift for capturing the experience of youth on-screen, celebrates the rich legacy of musician Ryuichi Sakamoto, and calls Richard Linklater “the great American director.”

The writer and director of Sinners talks about the impact of seeing Malcolm X in his youth, compares the work of Michael Mann and Christopher Nolan, and praises the rebellious spirit of Akira Kurosawa and Yasujiro Ozu.

This torchbearer of feminist cinema in France is celebrated for her sumptuous portraits of youth, desire, sexual discovery, and queer identity.

The acclaimed actor shares how Nancy Savoca’s Dogfight profoundly affected her views of acting and love, praises the way David Gordon Green conjures the feeling of youth in George Washington, and selects endlessly entertaining favorites, from Valley of the Dolls...

Nov 21, 2024 — Dennis Hopper’s bleakly nihilistic drama struggled to find an audience after it premiered at the Cannes Film Festival in 1980, but time has revealed it to be one of the most hardcore films about disaffected youth ever made.