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You+Me - Against the World

Aug 14, 2020 Appreciations of Kathleen Collins and Vittorio De Sica and interviews with James Mangold, Orson Welles, and Billy Wilder are among this week’s highlights.

Jun 9, 2017 “The 25 Best Films of the 21st Century. So Far.” Frankly, this time of year, my cursor tends to fly right over a headline like that, having worn itself out on such lists from Thanksgiving through Oscar Night. But this...

Nov 10, 2020 In the half-light of the opening shot of Girlfriends, a woman asks, “What are you doing?” and another responds, “Go back to sleep.” You could dismiss this as a bit of passing dialogue—or you could see in it a larger...

Sep 1, 2017 “There are any number of unforgettable images in Ai Weiwei’s Human Flow, the most necessary and comprehensive documentary to date about our planet’s current refugee crisis,” writes IndieWire’s David Ehrlich, “but the most indelible of them all is borrowed from...

May 26, 2020 Richard Ford’s 1990 novel Wildlife begins with this arresting sentence: “In the fall of 1960, when I was sixteen and my father was for a time not working, my mother met a man named Warren Miller and fell in love...

Oct 20, 2021 This uncanny tale of existential anxiety stands out as the most rigorously pared-down American science-fiction film of the 1950s.

May 6, 2021 Fame, as the Chilean writer Roberto Bolaño once observed, is reductive. “Everything that ended in fame and everything that issued from fame was inevitably diminished,” he wrote in 2666, an epic novel published after his death.What Bolaño identified as the...

Nov 20, 2012 For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.

April Books

The Daily

Apr 19, 2023 Paul Thomas Anderson, Maria Schneider, and fictional figures—Blanche DuBois and Juliet Capulet—figure in this month’s roundup.

Sep 16, 2022 The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.

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