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Wonderful Nightmare

Oct 27, 2021 Channel Calendars Celebrate Noirvember on the Criterion Channel with a tribute to the cool-as-ice Robert Mitchum, whose nonchalance and quiet menace made him a defining presence in American cinema’s underworld. Or enjoy the sophisticated, pitch-dark pulp classics in our Fox...

Apr 19, 2021 What lies beyond the grave? Human cultures across space and time have imagined many kinds of afterlives, from the attenuated shades of Hades to the lush paradise of the Islamic Jannah to the merger with the infinite anticipated by mystics....

Many Happy Returns

The Daily

Nov 6, 2020 A new restoration of Joyce Chopra’s Smooth Talk, the return of Sophia Loren, supercops in the 1970s, and Costa-Gavras’s Z are on our minds this week.

Jul 7, 2020 The renowned composer of well over four hundred film scores was equally at home in avant experimentation and tear-jerking sentimentality.

Jun 24, 2020 It was audiences, not critics, that made hits out of such movies as St. Elmo’s Fire (1985), Batman Forever (1995), and Phone Booth (2002).

Jan 3, 2019 We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.

Mar 7, 2018 A Wrinkle in Time, the adaptation of Madeleine L’Engle’s 1962 science fiction classic, “directed by Ava DuVernay from a screenplay by Jennifer Lee and Jeff Stockwell, has been a long time coming,” writes A. O. Scott in the New York...

Dec 14, 2017 Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...

Sep 10, 2017 Guillermo del Toro’s The Shape of Water has won the Golden Lion at this year’s Venice International Film Festival. We’ve been gathering reviews here, and we’ll carry on, too, as the film screens in Toronto throughout the coming week.This year’s...

Jul 25, 2017 “So,” wrote Chris Marker in 2003, looking back on his school days, “with scissors, glue and crystal paper, I made a faithful copy of the actual Pathéorama reel. After that, frame by frame, I began to draw a series of...

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