The Criterion Collection
Jan 11, 2019 — With 24 Frames, the film that would become his last, Abbas Kiarostami made one of the most conceptually daring—and painstaking—works of his career. Over the course of several years, the Iranian filmmaker hunkered down with visual effects supervisor Ali Kamali...
Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”
On the Channel
Nov 4, 2018 — The actor-director talks about the college film course that introduced him to some of the giants of world cinema, including Robert Bresson and Yasujiro Ozu.
On the Channel
Oct 8, 2018 — A vibrant movie theater in the college town of Missoula, Montana, takes the spotlight in the Criterion Channel series Art-House America.
The Daily
Aug 8, 2018 — The selection of thirty films features highlights from Cannes, Locarno, Venice, and Toronto.
The Daily
Jul 24, 2018 — Yorgos Lanthimos will open the NYFF, and Claire Denis’s High Life will be among the world premieres in Toronto.
The Daily
Apr 15, 2018 — La Semaine de la Critique, or Critics’ Week, has announced the lineup for its fifty-seventh edition, running from May 9 through 17 in Cannes. The opening film will be Paul Dano’s Wildlife, and I gathered a first round of reviews...
The Daily
Apr 9, 2018 — The retrospective of work by Lucrecia Martel at the Film Society of Lincoln Center will be the first of many around the country and abroad in the coming weeks, so we’ll take a closer look in a separate entry on...
The Daily
Jan 24, 2018 — Wildlife, an adaptation of Richard Ford’s 1990 novel, “finds Paul Dano transporting his usual reserve as a performer (bellowing country preachers excepted) from one side of the camera to the other,” writes the A.V. Club’s A. A. Dowd. “Set in...
The Daily
Jan 1, 2018 — One of the most intriguing films we can look forward to in the new year is Claire Denis’s English-language debut, High Life. “I’ve always been interested in science, in astrophysics,” Denis told the Hollywood Reporter’s Scott Roxborough in November. “But...