The Criterion Collection
Essays
Apr 28, 2003 — Federico Fellini both identifies with and satirizes the provinciality that forms his romantic comedy's central subject.
Essays
Sep 6, 1999 — The subject of loneliness and the observation of the isolated person has always interested me. Even as a child, I couldn’t help but notice those who didn’t fit in for one reason or another—myself included. In life, and for my...
Features
Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.
Feb 21, 2007 — It was bound to happen. After a good start for the blog, a quiet stretch. The year has gotten off to a busy start. Every minute there seems to be a meeting with a new player about a new technology...
The Daily
Jun 18, 2026 — Martin Scorsese, Agnès Varda, Lars von Trier, and Katharine Hepburn are just a few of the names you might be adding to your summer reading list.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
Essays
May 26, 2026 — Of all the performing arts, stand-up comedy may be the most ephemeral, even more so if the humor is considered dangerous or taboo. Stand-up relies on the charged dynamic between a comedian and an audience, with both sides often bringing...
May 26, 2026 — Top prizes go to films by Cristian Mungiu, Andrey Zvyagintsev, Valeska Grisebach, Paweł Pawlikowski, and Los Javis.
The Daily
May 1, 2026 — A new month begins with a Visconti restoration, a new issue of Senses of Cinema, and a deep backgrounder on Backrooms.
Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...