The Criterion Collection
Mar 10, 2003 — The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...
Jul 11, 2019 — The accomplished actor could be “compellingly loathsome,” a “titan” of comedy, and “unexpectedly moving.”
The Daily
Nov 17, 2017 — G rasshopper Film has posted Ted Fendt’s essay on Moses and Aaron (1974), Jean-Marie Straub and Danièle Huillet’s adaptation of Arnold Schoenberg’s unfinished opera: “Straub and Huillet’s brilliance—and a fundamental aspect of their method of adaptation—is to allow the contradictions...
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...
The Daily
Jan 8, 2025 — We’re looking forward to new work from Richard Linklater, Bong Joon Ho, Kelly Reichardt, Christian Petzold, Chloé Zhao, Sebastián Lelio, and many other filmmakers.
The Daily
Jan 3, 2025 — We spent the holidays reading about Claude Sautet, Pascal Plante, and Christian Marclay.
Interviews
Nov 11, 2015 — There’s an infectious energy and excitement that radiates from the French actor and filmmaker Mathieu Amalric. This is palpable in his performances on-screen or on the stage, and it was in full force when he visited Criterion recently.
The Daily
Feb 25, 2026 — A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.
The Daily
Sep 16, 2024 — Ready or not, the win for Mike Flanagan’s Stephen King adaptation kicks off this year’s awards season.
The Daily
Apr 18, 2024 — As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.