We Will Go

Jun 9, 2021 — As part of Criterion’s team of digital-restoration artists, it’s my job to make dusty old films look polished and new again, like the first time they were ever screened for the public. This process is akin to photo retouching, but...

Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.

Dec 18, 2020 — From Marlene Dietrich to Tsai Ming-liang, it’s a varied and wide-ranging bunch this week.

May 24, 2017 — The Cannes Film Festival always kicks up a flurry of announcements of projects in the works. Now that we’ve just passed the halfway mark, let’s have a look at some of the more interesting titles we’ve heard about so far.“Robert...

Oct 4, 2011 — Vilified, censored, banned, denied commercial distribution, and long unavailable, Pier Paolo Pasolini’s infamous film lives more in reputation and rumor than in memory.

Jan 26, 2022 — Rotterdam opens as Sundance winds down and Berlin sets up.

Aug 24, 2009 — Whit Stillman took a risk when he set his third film during (and titled it after) the disco era, whose erstwhile existence, from almost the moment it ended, has seemed to embarrass most Americans more than Watergate. One would think...

Sep 30, 2022 — We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).

Aug 30, 2017 — Paul Schrader’s First Reformed premieres in Competition in Venice before screening in the Masters program in Toronto, and the New Yorker’s Richard Brody finds it to be “a fierce film; Schrader, one of the crucial creators of the modern cinema...