The Criterion Collection
Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.
The Daily
Apr 26, 2024 — This week offers reflections on the work of Ryusuke Hamaguchi, Béla Tarr, Satyajit Ray, Philip Seymour Hoffman, and Joan Chen.
Dec 1, 2020 — The brochure for the 1961 Lincoln Continental line makes the six-seater luxury sedans look almost dainty. They come in pretty pastels: a cream called Sultana White, a fizzy yellow known as Sunburst, an ice-cream-parlor blue-green dubbed Turquoise Mist. A gloved...
Essays
Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.
Jan 26, 2010 — If Paris, Texas is a love letter to America and American cinema, it now also has something of the feel of a farewell: the world to which Wenders pays homage is vanishing fast.
Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...
Feb 20, 2026 — Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.
Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.
The Daily
Oct 30, 2024 — The filmmaker struggled to emerge from the long shadow of one of the world’s most famous artists.
The Daily
Oct 8, 2024 — Telling a love story in three parts spanning more than twenty years, Jia offers a summing up before he turns a new page.