The White Sound

Aug 10, 2017 — “Stylish swagger goes full-tilt boogie in Let the Corpses Tan (Laissez bronzer les cadavres), the latest delirious exercise in lovingly retro pastiche from Brussels-based writer-directors Hélène Cattet and Bruno Forzani,” begins Neil Young in the Hollywood Reporter. “Having amassed a...

Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Jan 14, 2020 — There’s been a whole of kvetching, but also a bit of celebrating since the nominations were announced on Monday.

Aug 9, 2010 — San Francisco filmmaker Terry Zwigoff’s first cinematic effort, the 1985 Louie Bluie, is a wry, ribald, and magical portrait of the country-blues string band player and irrepressible raconteur Howard Armstrong (a.k.a. Louie Bluie). This catchy, engaging sixty-minute documentary, a clattering...

May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.

Oct 6, 2007 — In Gus Van Sant’s first feature, gayness—blind, unembarrassed homosexual lust—is the narrative’s driving force.

Nov 12, 2013 — Noah Baumbach and Greta Gerwig create a luminous, romantic portrait of a young woman looking for fulfillment in New York City.

May 20, 2018 — A lifelong movie collector remembers the thrill of discovering the granddaddy of all monsters on Super 8.

Dec 15, 2017 — First up, as Kristopher Tapley reports for Variety, the Academy of Motion Picture Arts and Sciences has narrowed the list of contenders for the best foreign language film Oscar to nine: A Fantastic Woman, directed by Sebastián Lelio, ChileIn the...

Oct 28, 2014 — What you hear is as crucial—and as funny—as what you see in Tati’s films.