The Criterion Collection
Essays
Jan 14, 2009 — Gregory Nava, with his writing partner and producer, Anna Thomas, made the courageous decision to tell their story of a cold-war battleground from the point-of-view of the colonized “natives,” eschewing an English-speaking protagonist.
May 14, 2017 — Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.
Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.
The Daily
Apr 29, 2026 — Film at Lincoln Center’s thirteen-film series will feature an evening with the man himself.
Mar 16, 2007 — The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.
The Daily
May 23, 2017 — “Of all of the documentaries made about North Korea by Westerners in recent years, Claude Lanzmann’s Napalm, which premiered Sunday out of competition at Cannes, is by far the most peculiar, not to mention the most brazenly narcissistic,” writes Cineaste...
Nov 16, 2021 — Tsui Hark’s epic martial-arts saga revolutionized Hong Kong cinema by presenting a complex portrait of modern Chinese history and setting a gold standard in action choreography.
Aug 30, 2019 — In 1933, Japan withdrew from the League of Nations, after being censured for its invasion of Manchuria. Despite this, the majority of Japanese people remained avid consumers of American movies and Western fashion, which exasperated the militarists in power. A...
Mar 28, 2022 — Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...
Jul 13, 2010 — At the author’s request, Japanese names are given here in their traditional form: surname first. Ozu Yasujiro’s personal feelings about Japanese militarism in the 1930s and 1940s are not on record. Perhaps, like most people around him, he accepted the...