The Criterion Collection
Aug 23, 2018 — The director of Computer Chess and Support the Girls finds in John Cassavetes a surrealist whose weirdest set pieces could make David Lynch blush.
Feb 19, 2007 — For a director whose vision is so frequently called pessimistic, Mikio Naruse’s drama exhibits a lightness of touch, deft and coolly understated, like its cocktail jazz score.
The Daily
Jan 13, 2022 — Yes, he opened doors, but he also brought a singular presence to American cinema.
Sep 10, 2024 — Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.
Interviews
Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...
The Daily
May 10, 2019 — The latest updates from Cannes, the Berlinale, Il Cinema Ritrovato, and beyond.
The Daily
Nov 8, 2019 — Woman of Tokyo (1933) screens tonight in Los Angeles, and Tokyo Twilight (1957) will play for a week in New York.
Essays
Jul 13, 2010 — At the author’s request, Japanese names are given here in their traditional form: surname first. Nineteen thirty-six was a decisive year for imperial Japan, marked by extreme violence at home and abroad. In the very early morning of February 26,...
Production Notes
Sep 18, 2017 — 1. The first Newport Folk Festivals took place in 1959 and 1960 and were the result of a collaboration between Newport Jazz Festival producer George Wein and Albert Grossman, who at the time were partners in music and artist management....
Features
Nov 23, 2022 — In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.