The Criterion Collection
Nov 11, 2009 — As a member of the Harlem Amateur Players, Robeson had heard a great deal about Brutus Jones from the Playhouse’s set designer, Cleo Throckmorton. Moved by Robeson’s performances with the Manhattan-based troupe, Throckmorton was the first to approach him about...
Apr 16, 2020 — Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...
The Daily
Jul 8, 2022 — The actor brought a wiry tension to his roles in The Godfather, Thief, and Misery.
On the Channel
Jan 28, 2021 — Channel Calendars We’re thrilled to be celebrating Black History Month on the Criterion Channel with a lineup that salutes African American filmmaking pioneers like Gordon Parks and Madeline Anderson, spotlights the brilliant career of actor and activist Ruby Dee, presents...
Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.
Mar 25, 2021 — In With Ossie and Ruby: In This Life Together, an autobiography cowritten by legendary creative and life partners Ossie Davis and Ruby Dee, Dee tells the story of working as a screenwriter on 1968’s Uptight. It’s a brief account, about...
Mar 10, 2020 — In the fall of 1966, an unusual proposal reached the desk of Melbourne I. Feltman, vice president of Consolidated Book Publishers in Chicago. In a letter dated October 24, sent from the Maysles Films office in Midtown Manhattan, David Maysles...
The Daily
Jan 4, 2024 — Critics and filmmakers remember a subtle giant of the stage and screen.
Mar 22, 2017 — A tragedian at heart, Shirley Stoler found her Medea in the role of a glowering bandit on the run in Leonard Kastle’s seedy true-crime drama.
Aug 28, 2025 — Made for public television, this moving vérité documentary about three terminally ill cancer patients is one of the purest expressions of the director’s career-long preoccupation with human fragility.