The Other Side

Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.

Aug 23, 2022 — Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.

Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.

Oct 20, 2021 — The late director of Canoa: A Shameful Memory aimed “to show people the real Mexico.”

Oct 8, 2021 — In the news this week: Isabelle Huppert, David Cronenberg, Peggy Ahwesh, Doris Wishman, Tacita Dean, and Orson Welles.

Mar 2, 2021 — Anyone looking to demonstrate the range of this year’s competition might set Hong Sangsoo’s Introduction next to Dominik Graf’s Fabian: Going to the Dogs.

Sep 30, 2020 — The new issue offers features on films by Gianfranco Rosi, Orson Welles, Ephraim Asili, and Nicolás Pereda.

Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.

Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.