The Criterion Collection
Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.
Sep 27, 2016 — This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.
Essays
Mar 10, 2003 — Vilgot Sjöman’s cultural-sexual sensation sparked much critical and popular mayhem, only to be consigned to nearly instantaneous oblivion.
Dec 3, 2018 — True Stories, David Byrne’s 1986 paean to American eccentricity and ordinariness, called to me from the shelves of a video store in Austin, Texas. Subtitled “A Film About a Bunch of People in Virgil, Texas,” True Stories is not “true”...
Jul 15, 2014 — Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...
The Daily
Mar 26, 2021 — Today’s round features writing on Catherine Breillat, William Greaves, Thom Andersen, and Patricia Highsmith.
Apr 26, 2019 — A politically engaged actor who refused to be commodified, this French icon showcased her piercing intelligence throughout four decades of unforgettable performances.
Jun 14, 2010 — All writing is travel writing, the axiom goes. And for Jim Jarmusch, perhaps more than any other filmmaker working today, all movies are travel movies. It’s not a slight to call him the epitome of the filmmaker as tourist. In...
Jun 23, 2010 — “Wittily written and spare as a coded message . . . The year’s most perilous ride . . . , we wouldn’t exchange it for a season’s commutation ticket on most of the similar vehicles running out of Hollywood.” So...