The Lost Leonardo

Mar 12, 2021 — This week’s round features Merawi Gerima’s conversation with Ephraim Asili, an early talk with Claire Denis, and the greatest performances of the twenty-first century.

Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.

Oct 4, 2011 — Pier Paolo Pasolini’s landmark film intermingles the sacred and profane, associating libertines with holy music, the avant-garde of the thirties, and neoclassical and biblical references.

Apr 22, 2025 — This year’s edition spotlights work by Dea Kulumbegashvili, Alex Ross Perry, Eva Victor, and Ryan White.

May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.

Oct 19, 2021 — The Academy Award–winning director remembers a formative and eye-opening encounter with Lynne Ramsay’s feature debut.

Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.

Dec 20, 2019 — This week we’re spotlighting directors’ and writers’ appreciations of other directors and writers, plus Céline Sciamma and Agnès Varda.

Sep 12, 2018 — Viola Davis, Robert Redford, and Gael García Bernal star in a cluster of new heist movies.

Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...