The Law

Aug 11, 2020 — The Complete Films of Agnès Varda It’s the other famous shot in The Gleaners and I (2000) of Agnès Varda’s reaching hands. Not the one she said was taught around the world as the heart of her documentary-making, where, in...

Aug 27, 2019 — In the run-up to Venice, Telluride, and Toronto, New York announces its retrospective and revivals.

Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.

Jun 1, 2017 — By turns gritty and lyrical, this portrait of the Syria-Turkey border brings together two pioneers of Turkish cinema.

Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.

Apr 18, 2014 — The following interview, conducted by Stig Björkman, originally appeared in Björkman’s 1999 book Trier on von Trier.

Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.

May 25, 2009 — Reported from the set of Eddie Coyle by New Journalism trailblazer Grover Lewis, this article is a profile of Robert Mitchum that features extensive, idiosyncratic monologues by Mitchum himself.

Jan 15, 1996 — If Akira Kurosawa is the John Ford of Japanese samurai dramas, then director Kihachi Okamoto—a specialist in action films, with a particulat accent on violence and raw characterizations—is the samurai film’s Sam Fuller.

Aug 29, 2025 — The Ringer ranks this century’s greatest on-screen turns and Joseph McBride champions John Ford’s final feature.