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The Interpreter

Dec 1, 2009 In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...

Dec 6, 2011 Ernst Lubitsch’s Design for Living (1933) is what sexy should be—delightful, romantic, agonizing ecstasy. And it’s not just sexy but also revolutionary, daring, sweet, sour, cynical, carefree, poignant, and so far ahead of its time that one could cite it...

Aug 14, 2018 Reimagining the story of a Mexican American folk hero, this revisionist western ushered in a new era in both Chicano and independent filmmaking.

Dec 9, 2002 What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.

Jun 26, 2017 The Pulitzer Prize–winning author of Interpreter of Maladies speaks about her deeply personal connection to Indian cinema in this Criterion Channel exclusive interview.

Feb 21, 2020 Reflections from Bong Joon-ho’s interpreter and a report from the set of Apichatpong Weerasethakul’s Memoria open this week’s wide-ranging round.

Apr 4, 2018 Musician Michael Feinstein talks about discovering Paul Whiteman, the wildly popular bandleader who stars in the early-Technicolor musical King of Jazz.

Oct 7, 2017 “Claire Denis’s new film, Let the Sun Shine In, about a middle-aged woman’s romantic adventures, refracts personal experience in the form of a modernistic screwball comedy,” writes the New Yorker’s Richard Brody. “Juliette Binoche brings luminous intensity and wicked humor...

Jun 27, 2019 Sergei Bondarchuk pulled out all the stops to bring Tolstoy’s sprawling vision to the screen, and the result remains one of the most extravagant epic films of all time.

Nov 14, 1995 Tamura (Eiji Funakoshi), the hero of Kon Ichikawa’s drama, may be the loneliest man in the history of the movies—lonelier than the spiritual pilgrims of Bergman, Bresson, and Dreyer.

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