The Hoax

Oct 27, 2014 — In this excerpt from a 2005 Criterion interview, filmmaker and writer Peter Bogdanovich offers a lucid introduction to Orson Welles’s cryptic F for Fake, the delightful sort-of documentary that takes as its subjects art forger Elmyr de Hory, Howard Hughes’s...

Nov 12, 2024 — Innovative metafictions and fresh readings of classic novels arrive along with books on Robert Kramer, Terrence Malick, and Nora Ephron.

Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...

Oct 21, 2014 — There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...

Dec 27, 2017 — Over the past couple of weeks, we’ve lost some writers who’ve made unique contributions to film criticism. At Film Studies for Free, Catherine Grant has posted an entry in memory of “radical film and media scholar” Chuck Kleinhans. “Along with...

May 12, 2018 — The five-part essay film is “infused in equal measures by despair and aspiration.”

Aug 3, 2018 — Did You See This? returns, gathering five of the most interesting items of the past week.

Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...