The Helping Hand

Nov 30, 2020 — Cuban cinema has no present-day champion more devoted than Luciano Castillo. As the director of the Cinemateca de Cuba, an organization formed in 1960 by the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) in order to protect and promote...

Jul 21, 2020 — Consider this an afterword to Taste of Cherry (1997), the feature that brought its director, Abbas Kiarostami, to full international prominence, after it became the first Iranian movie to win the Palme d’Or at the Cannes Film Festival (where it...

Jan 29, 2020 — It is almost impossible to discuss Sidney Lumet’s Cold War thriller Fail Safe without also considering its more financially successful cinematic foil and fellow 1964 Columbia Pictures release, Stanley Kubrick’s Cold War satire Dr. Strangelove, or: How I Learned to...

Feb 1, 2019 — A cast of dolls and a rhino are featured in this year’s award-winners, and Steven Soderbergh has previewed his new film.

Jan 14, 2008 — As Japan was coming out of World War II, Akira Kurosawa was coming into his own as a filmmaker.

Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Luis De Icaza.

Apr 25, 2005 — Andrzej Wajda’s first feature film marks the beginning of the Polish School, the paradigm of Polish cinema that arose from the political and cultural thaw of the mid-1950s.

Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...

Jan 11, 2011 — Jean-Pierre Melville’s film Army of Shadows (1969) gives a dramatic account of the extreme dangers faced by the French who resisted the German occupation of 1940–1944. The time of the story is unspecified, but it is probably 1943, late enough...

Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.