The Criterion Collection
In Theaters
Jan 24, 2019 — Repertory Picks Next Tuesday afternoon, the Los Angeles County Museum of Art will spotlight the high-energy high jinks of Harold Lloyd, as two of the silent comedian’s most beloved classics, The Freshman and Speedy, play back-to-back in the Bing Theater....
The Daily
May 31, 2017 — New York. The BAMcinématek series Varda in California opens today and runs through June 13. The New Yorker’s Richard Brody recommends Lions Love (. . . and Lies) (1969): “Filming this docu-fiction in Los Angeles in June, 1968, the week...
Feb 3, 2017 — Over on the Criterion Channel, for Super Bowl weekend, we’re showing the first football movie ever made, Harold Lloyd’s crackerjack comedy The Freshman (1925), and the first rugby-football movie ever made, Lindsay Anderson’s heart-pounding drama This Sporting Life (1963). And...
On the Channel
Dec 11, 2017 — Celebrate the centennial of one of silent cinema’s most iconic figures with a documentary about actor Harold Lloyd, now playing on the Criterion Channel on FilmStruck.
Essays
Mar 30, 2015 — The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.
Mar 27, 2006 — Louis Malle’s coming-of-age drama offers an unusually full and individualized characterization of a boy whose yearnings, sensitivities, and fantasies outstrip his personality.
Essays
Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...
The Daily
Dec 10, 2025 — To celebrate the centennial of Battleship Potemkin, the Austrian Film Museum presents a near-complete retrospective.
Dec 15, 2021 — The Film Independent Spirit Awards usher in a fresh round of contenders, while critics across the country vote for their favorites.
Oct 19, 2023 — Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...