The Face of Another

Jan 16, 2025 — Long considered lost, Fujisawa’s Bye Bye Love screens at Metrograph with two Teshigahara classics.

Apr 21, 2018 — We’re going to be doing a little renovating around here, so this will be the last Daily post for about a week or so. It’ll be worth the wait. You’ll see. In the meantime, let’s have a quick look at...

Jul 3, 2017 — With its ability to capture and reshape the surface of reality, cinema is uniquely equipped to probe the complicated relationship between the visible world and the emotional and psychological truths that lie beneath it. In Changing Faces, a new series...

Jan 27, 2017 — Did You See This? In a new interview with Film Comment, Polish cinematographer Slawomir Idziak discusses his collaborations with Krzysztof Kieślowski and his transition to working on Hollywood films like Gattaca and Black Hawk Down. “After the unexpected explosion of...

Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.

Oct 24, 2005 — Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.

Feb 16, 2016 — In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.

Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...

Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.

Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.