The Criterion Collection
Essays
Aug 24, 2010 — I n a photograph of Josef von Sternberg from 1937, he looks like a character from one of his own films: a turbaned magus with elegantly trimmed beard and mustache, holding a cigarette as he gazes out obliquely, with the...
The Daily
Jan 13, 2025 — Toronto’s retrospective showcases an oeuvre that ranges from Fists in the Pocket (1965) to Kidnapped (2023).
Jul 17, 2024 — Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.
Features
Oct 24, 2025 — This French art-horror master shocked audiences with a string of sexy vampire movies often centered on complex female friendships and women-ruled fantasy worlds.
Jun 19, 2006 — Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.
Oct 15, 2019 — The witch has a long history in Western cinema. Nowadays, we tend to associate her with horror, but early depictions resist easy categorization. She appeared in American silent films as early as 1908 (in a short called The Witch). The...
On the Channel
Sep 21, 2023 — This October, brace yourself for chills, thrills, and some of the most mind-bending, spine-tingling horror imaginable.
The Daily
Apr 1, 2022 — This week: A new Cinema Scope, Robert Siodmak, Theodore Witcher, reenactment in nonfiction, and the science of Dune.
On the Channel
Apr 4, 2017 — Through an alchemy of stylistic flair and creative restlessness, Seijun Suzuki was able to transcend the by-the-numbers material he was assigned as a director at Japan’s oldest film studio, Nikkatsu, to become one of the most electrifying genre auteurs of...
Jul 19, 2010 — “It is the most erotic film that I have ever made,” wrote Michael Powell of Black Narcissus. “It is all done by suggestion, but eroticism is in every frame and image, from the beginning to the end.”