The Criterion Collection
Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...
The Daily
Jan 11, 2018 — The turn of each year always sees a flurry of listing, remembering, and anticipating that seems to knock just plain reading off the agenda for the time being. Now, a little over a week into the new year, we can...
The Daily
Jan 7, 2018 — This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...
Features
Mar 4, 2014 — The great documentarian Claude Lanzmann’s new movie, made from footage he didn’t use in Shoah, provides a fascinating glipse at the way he began that monumental project.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
Essays
Aug 9, 2010 — Now that Terry Zwigoff’s Crumb is fifteen years old, it seems pretty safe to say that it has evolved from a potential classic to actually being one. But what kind? A documentary portrait of a comic-book artist, musician, and nerdy...
The Daily
Mar 7, 2025 — We’re spotlighting fine writing on Ben Rivers, Errol Morris, David Lynch, Želimir Žilnik, and Laura Carreira.
Essays
Jul 12, 2022 — In David Lean’s Venice-set romance, a fleeting love affair prompts a woman’s self-exploration.
The Daily
Apr 7, 2025 — He played Iceman, Jim Morrison, Doc Holliday, and even Batman as no one else would or could have.
The Daily
Feb 18, 2018 — Christian Petzold seems to realize that viewers are going to feel as if they’ll need a few moments to get their bearings in the world of Transit. In one swift and brilliant stroke, he denies us the luxury. Georg (Franz...