The Criterion Collection
Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...
On the Channel
Sep 10, 2018 — One of the pleasures of programming a new short-and-feature pairing every week on the Criterion Channel is getting to celebrate the artistic freedom that short films offer emerging artists. With tighter run times and smaller budgets, the form comes with...
Oct 1, 2025 — In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.
On the Channel
Aug 30, 2022 — Next month, the Criterion Channel celebrates the films of trailblazing cinematographer James Wong Howe, European acting icon Romy Schneider, and Spanish provocateur Carlos Saura.
Features
Nov 21, 2024 — Dennis Hopper’s bleakly nihilistic drama struggled to find an audience after it premiered at the Cannes Film Festival in 1980, but time has revealed it to be one of the most hardcore films about disaffected youth ever made.
The Daily
Mar 12, 2024 — The thirteenth edition offers twenty features, new short films by Kevin Jerome Everson and Nathaniel Dorsky, workshops and more.
The Daily
Nov 20, 2018 — A sampling of reviews of some of the most significant movies currently in theaters.
Nov 21, 2023 — The decades have flown by, but Mean Streets (1973) has not become the least bit dated, even though we know how the careers of all the principals have evolved in the years since, not to mention that the world just...
Essays
Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...
Essays
May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.