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The Blue Bird

Mar 29, 2019 When Carlos Reygadas’s debut film, Japón, came out in 2002, my generation was just starting to drive cars, smoke weed, use contraceptives. A movie ticket at the Cineteca Nacional still cost only twenty pesos then if you showed your student...

Jun 10, 2009 Kind Hearts and Coronets, that most wicked comedy of ill manners, had established Alec Guinness as an acting force—and coming so soon after he had disappeared into the role of Fagin in David Lean’s Oliver Twist, his dazzling embodiment of...

Nov 28, 2022 We’re closing out the year with a gift bag full of screwball comedy favorites, a wagon train of wintry westerns, and a World Cup–ready team of eclectic football movies.

Jan 2, 2020 Steven Spielberg, Sofia Coppola, Spike Lee, Wes Anderson, Chloé Zhao, and Joanna Hogg are among the many directors ready to roll out their latest features.

Nov 30, 2020 Channel Calendars As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom. That’s just the beginning of our holiday bounty: we’ve...

Jun 24, 2018 During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.

Apr 20, 2018 Krzysztof Zanussi is currently in post-production on Ether, “a psychological drama with a Faust-inspired motive, set at the beginning of the 20th Century in Galicia, about a military doctor experimenting with science in order to get power over people,” reports...

Jan 24, 2023 Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

Feb 5, 2017 Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Jun 28, 2022 Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.

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