The Criterion Collection
Nov 16, 2008 — Chungking Express (1994) was the Masculin féminin of the 1990s, a pop-art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world-cinema imagination. What Jean-Luc Godard did for “the children...
May 3, 2018 — Sebastián Lelio is a Chilean filmmaker based in Berlin. His fifth feature film, A Fantastic Woman, won the 2018 Academy Award for best foreign-language film and the Independent Spirit Award for best international film. It premiered in main competition at...
The Daily
Sep 24, 2024 — Films by Agnès Varda, Chantal Akerman, and Rungano Nyoni screen in the Metrograph series.
Features
Dec 3, 2021 — Deep Dives A baby lies in a crib and drinks from a bottle of water; a little girl, her mother, and her teddy bears enjoy a tea party; a smiling father helps his children out of the car; couples court...
Jan 24, 2012 — From the scary thuds and mysterious roars that accompany the no-frills titles to the bizarrely poignant final image of the monster, alone at the bottom of the ocean, Ishiro Honda’s Godzilla is all business and pure dream.
The Daily
Feb 23, 2026 — Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.
The Daily
Jan 13, 2026 — The festival lines up its Forum Special and celebrates forty years of the Teddy Award.
The Daily
Feb 24, 2018 — The International Jury of the sixty-eighth Berlin International Film Festival—Tom Tykwer (president), Cécile de France, Chema Prado, Adele Romanski, Ryuichi Sakamoto, and Stephanie Zacharek—has awarded the Golden Bear for Best Film in the Competition to Adina Pintilie’s Touch Me Not.Małgorzata...
Feb 27, 2024 — Hollywood legend Raoul Walsh’s first movie for Warner Bros. is an epoch-spanning tall tale that takes inspiration from the New York City of his childhood and closes out a run of influential gangster films he inaugurated in the silent era.
Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.