The Criterion Collection
May 19, 2016 — In the late 1950s, when Shindo chose to create a nearly dialogue-free portrait of a family living on a remote island, he was taking a great chance, putting the fate of his struggling production company Kindai Eiga Kyokai on the...
Production Notes
Jan 15, 2016 — The filmmaker and cinematographer had a lifelong commitment to the camera and how it could be used to foster dialogue and action.
Sep 17, 2007 — I set out on my first trip to the Toronto Film Festival ready to feast on films and spend relaxed, indulgent, quality time with writers I work with, or hope to work with, as the editorial director here at Criterion....
Jun 3, 2002 — In addition to being his funniest film, The Horse’s Mouth is the most personal, and touching, of all Alec Guinness’ movies. Apart from starring as the brilliant but bedraggled artist Gulley Jimson, Guinness also adapted the Oscar-nominated screenplay from Joyce...
Essays
Dec 31, 2000 — Those who felt that Scandinavian cinema had passed into retirement along with Ingmar Bergman should be startled by Insomnia. This immaculately constructed psychological thriller sets a benchmark for other Scandinavian directors to match, and is one of the most unusual...
Essays
Dec 31, 1999 — As a tour de force of screen acting, Autumn Sonata stands unchallenged as the finest work of Ingmar Bergman’s last few years as a movie director. Fanny and Alexander may have won the Oscars, but Autumn Sonata represents Bergman’s chamber...
Apr 9, 1990 — Few motion pictures have ever matched the 1938 Warner Bros. production of The Adventures of Robin Hood for sheer entertainment. Even today this film ranks high on any list of all-time favorites. Warner Bros. first considered filming The Adventures of...
The filmmaker returns to the Criterion Closet, where he praises seventies thrillers like The Parallax View and Straw Dogs, talks about You Can Count on Me and how “no one writes dialogue like Kenneth Lonergan,” and connects Targets to his...
Distinguished by their emotional intelligence and sharp dialogue, the films of this American writer-director explore the messy personal lives of intellectuals and bourgeois families.
The Oscar-nominated screenwriter of One Night in Miami . . . selects a handful of favorite films, including an animated movie that haunted his childhood and a classic courtroom drama that has influenced his approach to dialogue.