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Stonehearst Asylum

Jul 15, 2022 This week we head back to 1981 with Reverse Shot, to the 1970s with Straub-Huillet, and to the 1960s with Marco Bellocchio.

Jun 28, 2022 Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.

Apr 27, 2022 Cannes sets its juries, Directors’ Fortnight selects its shorts, Locarno honors Laurie Anderson, and Sundance lines up a big London edition.

Feb 22, 2022 In centering the perspectives of refugees, Hong Kong filmmaker Ann Hui created a work of political solidarity that stands in contrast to the dehumanizing cinematic depictions of Vietnam from the period.

Jan 25, 2022 A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.

Aug 12, 2021 Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.

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The Daily

Jun 16, 2021 We’re catching up with news of projects in the works from Todd Haynes, the Dardennes, Rebecca Miller, Todd Solondz, and Gina Prince-Bythewood.

Apr 20, 2021 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....

Feb 11, 2021 The body never lies.Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and the power...

Feb 4, 2019 All four of this year’s top prizewinners have been directed or codirected by women.

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