The Criterion Collection
Jul 13, 2021 — Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...
The Daily
May 7, 2021 — This week we celebrate Elaine May, Ulrike Ottinger, Liza Minnelli, and Madonna while paging through the new Senses of Cinema.
The Daily
Apr 7, 2021 — The four-part series forages for the roots of the ideology of white supremacy.
Oct 9, 2020 — In Scoundrels & Spitballers: Writers and Hollywood in the 1930s, veteran French journalist Philippe Garnier brings to life an enchantingly raffish community of typewriter-pounders who headed west to try their luck in the verbal gold rush set off by the...
On the Channel
Jun 29, 2020 — Channel Calendars This July, the Criterion Channel celebrates unconventional artists who march to the beat of their own drum, with spotlights on indie iconoclast Miranda July, cutting-edge composer Ryuichi Sakamoto, downtown poet Sara Driver, lyrical documentarians Bill and Turner Ross, and formally...
The Daily
Jun 15, 2020 — This month we’re looking at books on topics ranging from Japanese animation to Hollywood movie stars to jazz on the big screen.
Jul 11, 2019 — The accomplished actor could be “compellingly loathsome,” a “titan” of comedy, and “unexpectedly moving.”
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.
Jan 24, 2018 — One of the most memorable sequences in the silent classic People on Sunday explores the experience of being photographed and the tension between still and moving images.