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Sexual Life

Apr 30, 2009 The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain...

Aug 22, 2005 Featuring a brilliant, idiosyncratic performance by Michel Simon, Jean Renoir’s early comedy is a commendation of loitering as the antidote to efficiency and perfection.

Jul 14, 2025 The top prize, the Crystal Globe, goes to Better Go Mad in the Wild, a portrait twins living out their days on an isolated farm.

Jun 10, 2019 The growing presence of unabashed queerness in contemporary culture makes the past seem comparatively drained of it. But it was always there. There’s often a queer history that lies beneath our accepted mainstream hetero narratives. When excavated, these histories can...

Apr 13, 2023 Combining elements of soft-core porn and film noir, one of the most popular Hollywood genres of the 1980s and ’90s captured the fraught aspirationalism and sexual mores of the era.

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The Daily

Apr 21, 2018 We’re going to be doing a little renovating around here, so this will be the last Daily post for about a week or so. It’ll be worth the wait. You’ll see. In the meantime, let’s have a quick look at...

Tootsie in Doylestown

In Theaters

May 19, 2016 Repertory PicksThis week, as part of its Hollywood Summer Nights series, the County Theater in Doylestown, Pennsylvania, will screen Sydney Pollack’s 1982 American classic Tootsie. Starring Dustin Hoffman in one of his finest performances, this progressive New York comedy follows...

Jul 26, 2011 To a secular eye, Jean-Pierre Melville’s sixth feature film, Léon Morin, Priest (1961), is about almost anything except religion: the deleterious effects of sexual repression, the moral bleariness of wartime and life under occupation, the harsh inflections of history in...

Oct 3, 2018 Denis’s first feature in English—and her first foray into science fiction—stars Robert Pattinson and Juliette Binoche.

Nov 23, 1998 Paul Morrissey’s gory comedy may be sensationally shlocky, yet it explores profound ideas about sexual liberty, individualistic freedom, and the commodification of everyday life.

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