The Criterion Collection
Apr 30, 2009 — The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain...
Aug 22, 2005 — Featuring a brilliant, idiosyncratic performance by Michel Simon, Jean Renoir’s early comedy is a commendation of loitering as the antidote to efficiency and perfection.
The Daily
Jul 14, 2025 — The top prize, the Crystal Globe, goes to Better Go Mad in the Wild, a portrait twins living out their days on an isolated farm.
On the Channel
Jun 10, 2019 — The growing presence of unabashed queerness in contemporary culture makes the past seem comparatively drained of it. But it was always there. There’s often a queer history that lies beneath our accepted mainstream hetero narratives. When excavated, these histories can...
Apr 13, 2023 — Combining elements of soft-core porn and film noir, one of the most popular Hollywood genres of the 1980s and ’90s captured the fraught aspirationalism and sexual mores of the era.
The Daily
Apr 21, 2018 — We’re going to be doing a little renovating around here, so this will be the last Daily post for about a week or so. It’ll be worth the wait. You’ll see. In the meantime, let’s have a quick look at...
In Theaters
May 19, 2016 — Repertory PicksThis week, as part of its Hollywood Summer Nights series, the County Theater in Doylestown, Pennsylvania, will screen Sydney Pollack’s 1982 American classic Tootsie. Starring Dustin Hoffman in one of his finest performances, this progressive New York comedy follows...
Jul 26, 2011 — To a secular eye, Jean-Pierre Melville’s sixth feature film, Léon Morin, Priest (1961), is about almost anything except religion: the deleterious effects of sexual repression, the moral bleariness of wartime and life under occupation, the harsh inflections of history in...
The Daily
Oct 3, 2018 — Denis’s first feature in English—and her first foray into science fiction—stars Robert Pattinson and Juliette Binoche.
Essays
Nov 23, 1998 — Paul Morrissey’s gory comedy may be sensationally shlocky, yet it explores profound ideas about sexual liberty, individualistic freedom, and the commodification of everyday life.