The Criterion Collection
Short Takes
Mar 5, 2013 — Today we tip our hats to the debonair, mischievous Rex Harrison, born on March 5, 1908. Perhaps remembered best for his role as the arrogant impresario Henry Higgins in My Fair Lady, the 1964 movie musical version of Pygmalion, Harrison...
Mar 31, 2026 — Claude Lelouch’s Palme d’Or–winning breakout hit combines elements of a classic Hollywood love story with dynamic photography, an edgy editing style, and a naturalistic sense of character and location.
Essays
Jan 20, 2026 — The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.
The Daily
Jul 24, 2025 — Along with new work from Arnaud Desplechin and Anne Émond, the festival will present first features directed by Brian Cox, James McAvoy, and John Early.
The Daily
Jul 2, 2025 — Pavements and Videoheaven take us back thirty-odd years, but neither film is merely a nostalgia trip.
Dec 10, 2024 — In this brilliant adaptation, Joel and Ethan Coen find a kindred spirit in novelist Cormac McCarthy, whose abiding themes—including destiny, the American West, and the contest between our better natures and our survival instinct—mirror their own.
Essays
Nov 12, 2024 — Filled with expressionistic shadows and pungent details of life in the criminal underworld, this seminal tale of money and violence was among director Howard Hawks’s favorite of his own films.
Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.
Mar 13, 2024 — The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.
Essays
May 30, 2023 — Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.