The Criterion Collection
On the Channel
May 26, 2021 — Channel Calendars Next month, the Criterion Channel celebrates Pride Month with a host of extraordinary queer-themed films, including a new installment of our Queersighted series focusing on taboo-breaking artists, a trio of outré underground classics from John Waters, and a restrospective...
Jul 27, 2020 — The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...
The Daily
Sep 28, 2017 — Dee Rees, whose Mudbound is set to screen at the New York and London film festivals, will direct an adaptation of Joan Didion’s 1996 novel The Last Thing He Wanted, reports Screen’s Jeremy Kay. Says Rees: “It’s an international spy...
On the Channel
Mar 23, 2017 — Acclaimed author Jonathan Lethem wears his movie love on his sleeve in genre-hopping novels like the noir-inflected Motherless Brooklyn and the darkly satiric Chronic City, which opens with its protagonist paying a visit to the Criterion Collection. The cinematic inspirations...
Essays
Oct 13, 2015 — Divorce wreaks a particularly devastating form of havoc in David Cronenberg's personal take on the dissolution of a marriage.
Essays
Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...
Apr 9, 2013 — This review by film critic Janet Maslin originally appeared in the December 27, 1991, edition of the New York Times, and appears by permission of the author. Naked Lunch, adapted by the dauntless David Cronenberg from William S. Burroughs’s 1959...
Apr 9, 2013 — David Cronenberg and William S. Burroughs: it was a meeting of the mutant minds years in the making.
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.
Dec 7, 2010 — This exploration of how technology alters its users was not only prophetic but a personal artistic breakthrough for David Cronenberg.